Our true home is wilderness, even the world of everyday.—Henry G. Bugbee, Jr.Henry Bugbee was Born in New York City in 1915. This may not seem the most fortuitous birthplace for an interpreter of the wild rivers of Montana, but we might also remember that John Muir, interpreter of the High Sierras, was born in Scotland. Perhaps the movement west is an important prelude for such a vocation. Bugbee studied philosophy at Princeton and then at Berkeley, but before he could (...) finish his graduate work, he was called for naval service in the Pacific. The time at sea was a formative wilderness experience, on which his writing draws heavily. Returning from sea, he finished his PhD and took a teaching position at Harvard. Not .. (shrink)

Wilderness is often understood as land untouched by people. On this reading, wilderness management seems to be a simple contradiction, but it is in fact a thriving and functional practice. Wilderness is not simply an absence of human influence, but the presence of something else. Wilderness is land characterized by the flourishing of natural purpose. When this is understood, wilderness management becomes intelligible and several recent criticisms of wilderness preservation are defused.

Henry Bugbee is a curious figure in the annals of American Philosophers. It seems that most philosophers either cherish his work dearly or have never heard of him. Albert Borgmann described his work as “both inconspicuous and consequential”. As of this writing, he has no entries on The Internet Encyclopedia of Philosophy, The Stanford Encyclopedia of Philosophy, or even Wikipedia. Among those who know his work, most only know his book, The Inward Morning. And few of those who know the (...) book have seen fit to write about it. It is not that Bugbee’s career was on the margins. To the contrary, with a Princeton BA, a Berkeley PhD, and a faculty position at Harvard, a colleague of both C.I. Lewis and W.V.O. Quine... (shrink)

A key philosophical feature of Peter Jackson’s film interpretation of J.R.R. Tolkien’s The Lord of the Rings is its use of fantasy to inspire a “recovery” of the actual or, in other words, a reawakening to the beauty of nature and the many possible ways of living in healthier ecological relation to the world. Though none of these ways is perfectly achieved, this pluralistic view is demonstrated in the various lifeways of Hobbits, Elves, Men, and Ents. All of the positive (...) relationships embodied in the films—to trees, mountains, horses, and vegetable gardens—involve loving care and attention, receiving nourishment and livelihood without instrumentalization, or reducing nature to mere resource. The films also vividly display a variety of ugly and destructive ways of using the land to accrue power and wealth. These noxious ways, specifically because they actively destroy the lands that they use, always need more. They will thus eventually annihilate the beautiful ways of being if they are not actively resisted. Some of those who would rather be tending their own trees, gardens, or horses or even wandering in the wild forests must therefore turn their attention to struggle and resistance instead. This is a struggle full of grief, and at times even verging on despair, but it is marked by the refusal to give up hope. Indeed, what Jackson and Tolkien have to say about hope is as important in responding to the ecological crisis as anything they have to say about nature, inasmuch as they help to remind us that even in our own times, “there is still hope.”. (shrink)